Timeseven

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Album Reviews

“Without You”

Words, Music, Arrangement, Production by William Hayden

“Without You” – Review by The Ark of Music

Led by songwriter, guitarist, and arranger William Hayden, the Timeseven ensemble returns with “Without You” – another immaculate sounding, emotionally moving piece of music skipping subtly between light rock, grazing country, and adult contemporary pop.

Tell me more…

Per Hayden, “Without You” is “a very raw, emotional song about love and loss.” And I hear that pain, that dire emotionality here, but also a hint of…triumph? Let’s listen…and talk about it.

Wait. Who does what?

You know ‘em, and you love what they’re puttin’ down: 

Words, Music, Arrangement, Production, Acoustic and Electric Guitars by William Hayden (Timeseven Productions)

Vocal by Brad Williams (a major label country music artist)
Keyboards by Scotty Willbanks (from Third Day)
Drums by Daniel Sadownick (Steely Dan, Taylor Swift, Norah Jones)
Bass by Alison Prestwood (Blake Shelton, Faith Hill, Brooks and Dunn)
Guitar by Noah Needleman (Brett Young, Dann Huff)

And let’s not forget another incredible mix by 10 x Grammy-winning mixing engineer, Darrell Thorp (Paul McCartney, Radiohead, Beck), and superb mastering by Buck Snow (7 x Grammy-winning mix/mastering engineer).

Listening, and talking about it.

“Without You” begins with a sustained, bouncing organ, a kick drum heartbeat, and a sparkling string granting the piece vast physical space with audible reverberation. Brad Williams sings, as always, with such a composed but obviously breaking heart; he emotes fantastically, reserved as one suffering in silence, but emboldened as the pain rears and kicks. And after his initial, quietly sung introduction, the song suddenly doubles in energy and purpose.

With drums, strumming acoustic, and echoing electric guitar accents, “Without You” leans into assertive rock, into the raw, still bleeding cuts of a thousand emotional knife strikes. The song’s storyteller lies wounded, and the pain turns to longing – a longing to fill the shape of a well-deep wound carved by the careless shift of another’s ambling feelings. But this buildup, this agitation, is like a beaten boxer staggering from his corner; regardless of deep cuts and overgrown bruises, he continues to fight, to wildly swing (and yep, there’s that hint of “triumph” I mentioned earlier).

And when the song ends, when it returns to the quieter deliverance of ever-stinging angst, it presents a final refrain of “I can’t live without you,” and the waning patter of a kick drum heart. Superb.

But is it good?

It’s AMAZING. And there’s some real pain-triggered aggression emanating from this one; an effectively emotive piece that takes us all the way to the wounded bottom of our often too vulnerable hearts. This one has teeth; it bares them after being torn asunder by them. This is a real feeling; this is pain; and this is expressed so beautifully, so truthfully, from a band fully capable of wringing every dissolving shade and hue from an often colorless and breaking heart. HIGHLY recommended.

“Without You” – Review by Indie Band Guru

There is a special talent needed to write songs about love. Too often what sounds great in your own mind ends up coming out ‘cheesy’ to a larger audience. Dancing this fine line has created some of the most listened to songs in music. Our friend TimeSeven has returned with another track in this vein and he again hits it out of the park with “Without You.”

The years of living a full life have provided the Covington, Indiana native a wide assortment of feelings to share in his music. William Hayden (aka Time Seven) has already gifted us with “When You’re Home” and “When We Were Young” earlier this year. His way of telling stories with emotion has been really catching attention.

Set for release on December 12th, 2024, “Without You” by TimeSeven is a poignant track that captures the profound emotions associated with love, loss, and longing. The song’s lyrics can resonate with all listeners, reflecting on the struggles of navigating life after a loved one has left. We have all been there. 

The haunting melodies, combined with a carefully crafted instrumental backdrop, create an atmosphere of reflection and introspection. The gradual crescendo through the song symbolizes the build-up of emotions that rise in our hearts. The expert production leaves the emotion in while smoothly advancing the track. As the melody winds its way deep into your brian you learn to accept that this is something we all will deal with at times. It is a raw, emotional song about love and loss. But we will all move forward.

“Without You” – Review by Sleeping Bag Studios

Been quite the productive year for Timeseven…

A good one too for that matter.  “When You’re Home” would still definitely be up there with the better tracks I’ve heard this year, and the single we just reviewed a couple weeks back called “When We Were Young” was also pretty decent too.  All really well-played stuff, handled by professional studio musicians and whatnot…admittedly, it’d be harder for them to take a wrong turn than a right one given that this is what they really all do for a living.  I don’t wanna say we should expect professionalism from Timeseven, or anyone else for that matter…but by the same token, it’d be pretty damn hard not to either I suppose.

Led by the songwriting and guitars of William Hayden, Timeseven always seems to have it together, and “Without You” is no exception to the high standards they’ve established in the past.  They’re not too far removed from something I’d normally listen to in my own personal time outside of being your friendly neighborhood music critic this time around…”Without You” has a lot in common with mid-career R.E.M. actually.  When I looked at the words on paper, I felt like this particular single might end up with a few spots where I’d naturally resist it a little…I mean…it’s a love song and it’s extremely tough to reinvent those at this stage of the game and how many of them there are out there throughout music’s history.  That being said, when I got around to pushing play, I didn’t find any obstacles or sticking points that would be something to complain about – the professionalism of Timeseven took over and got them through any concerns I might have thought I’d have.  I’m not here to be the guy to tell ya that they’ve managed to reinvent the love song, because I don’t think that’s the case at all – but I also don’t think that it has to be, ever.  There ain’t nothing wrong with a song done right y’all…and that’s the facts, Jack.

So…sure…there are a few words here and there throughout the lyrical imagery of “Without You” that’ll feel familiar or similar to something you’ve heard in a love song from the past & such, but that doesn’t hinder this single from being the quality cut that it is.  I’d put this somewhere in between what you’d find in an artist like Chris Isaak’s catalog and the mid-career R.E.M. I pointed out earlier on…so I guess that gives “Without You” a natural 90s vibe to it if you’re looking at it from that perspective.  You’re never going to find me complaining too much about anything that would remind me of that era…that’s when I was doin’ all my growing up…I’ve still got plenty of love for anything that would take me back to that time by comparison.  “Without You” has an inherently smooth sound combined with a noticeably dusty wisdom…I love the vocals from Brad Williams on this song, the guitars from Hayden, and what is a genuinely essential contribution to this song from keyboardist Scotty Willbanks as well.  Trust me when I tell ya, the list goes on and on…the drums from Daniel Sadownick are completely perfect, the bass from Alison Prestwood is as well, and so is the mix from Grammy-winning engineer Darrell Thorp.  I could list each of their extremely impressive resumes, but that’d keep us all reading this review into next week.  Suffice it to say, like I was alluding to from the very start, Timeseven is constructed entirely of pieces that work…they all eat, sleep & breathe music around the clock, and it’s something you can truly hear in what they create together in the end results.  “Without You” ended up surpassing any expectations that I could have had, which I’ll admit to tempering slightly after the last single, “When We Were Young.”  That was still a justifiably good tune in a variety of ways, but it didn’t quite have the magic that the first impression of “When You’re Home” instilled in me, and it didn’t quite reach the mesmerizing sound that “Without You” has either.  Not that comparing songs isn’t apples & oranges in just about every scenario, even if they come from the same band or artist, but it’s unfortunately part & parcel of what we naturally do as critics, listeners, and fans.  So I suppose the question becomes, does “Without You” overtake the top spot from “When You’re Home” for me?  Honestly, there’s a good chance that on the right day that it does…”When You’re Home” is a really great song, but “Without You” is another outright exceptional cut from Timeseven that further proves this is a band that has extraordinary capabilities and true talent, but also has a songwriter with the kind of vision required to bring you out of your world, and into theirs.

Yessir…I’m feeling mighty inclined to give “Without You” the largest thumbs-up I can from the two that I’ve got…if there’s something they could have done better, I’m not sure I know what that could be.  The music is flawless, the vocals are fascinating, and the song itself is brilliantly haunting like the wisps of a memory in a dream that you can’t quite recall, but that gives you a feeling you’ll never quite shake too.

“When We Were Young”

Words, Music, Arrangement, Production by William Hayden

“When We Were Young” – Review by Sleeping Bag Studios

Way back in February, when I reviewed a single called “When You’re Home” by Timeseven, I was pretty convinced that the professionalism, the songwriting, and the high level of execution from its founder William Hayden & his band of studio aces would pretty much crack that bat for a homerun every time I had an opportunity to listen to whatever they might come up with next.  I’m happy to report that’s true as far as I can tell – hearing the new single “When We Were Young” was essentially all the confirmation I needed to know I was right about all that.  Timeseven has it all together & is on completely solid ground.

The sparkling guitars and gentle sincerity of a track like “When We Were Young” has that hazy, drifting nostalgia floating through it right from the get-go.  At first, it feels similar to something you might find in the Carpenters’ catalog, or James Taylor’s, before it’ll go on to establish itself with a more of a robust sound overall, which brings “When We Were Young” from an Adult Contemporary tune in its verses towards more of a light Country vibe in the chorus.  All-in-all, I suppose you could call it a hybrid of sorts, though I suspect that seems to be the case for most songs these days in the approach being taken in the scene right now.  No complaints from me on that, it’s good strategy, and it works in favor of songs like this too.  Think of it this way…if it was merely a Country tune and nothing more, I’d probably be out – but with a track like “When We Were Young” having more depth and versatility to its sound, a guy like myself that’s very much on the fringe of anything that’s Country at best, can find my way into a song like this.  To me, I feel like Timeseven’s greatest advantage over a lot of what’s out there is how much care it audibly sounds like is being put into the music.  Again, that’s due to the fundamentals in the songwriting, execution, professionalism, and musicianship combined – but there’s a sense that no details ever get overlooked when it comes to the music you’ll find in Timeseven, and my ears appreciate that.  You can rock in whatever genre you like if you’re giving it everything you’ve got – that’s a tried, tested, and true recipe for greatness in every kind of music there is out there.  If everyone put the level of effort into what they create like Timeseven does, believe me when I tell ya, the critical part of a critic’s job would disappear altogether!  This band doesn’t need any notes or feedback from the likes of me folks…they know what they wanna do when it’s time to push record, and they’re prepared to make the magic happen, 100%.

Maybe that’s what it is.  A combination of preparedness and professionalism.  Like, they’re obviously still human…but when you’re a real professional, you’ll keep at a part until you’ve played it exactly how you want it played…the way that the song itself is truly calling out for in the way that it’s been written.  I feel like Timeseven nailed every part of “When We Were Young” once again, in particular with the guitar work from Hayden, and the vocals of Brad Williams, both who arguably carry the most weight in this particular single this time around.  Hayden’s guitar can’t help but shine with its subtle golden sound, and Williams has such a remarkable wisdom in his voice that he really induces the nostalgic vibe you get in the lyricism to become as vivid as it is, to the point where it’s like you see all the scenes of the words in your mind as you listen to the song.  Sprinkled with the ace talents surrounding them from the rest of the band, and the expertise at the helm on the production end of the spectrum, with Grammy-winning mixologist Darrell Thorp lending a hand, “When We Were Young” is another solid song to add to the catalog of Timeseven that reveals their incredible consistency & undeniable professionalism, all around.

“When We Were Young” – Review by Indie Band Guru

As the weekend approaches I often look for music that will soothe my soul from the chaos of a busy week. Mellow and smooth are important but not something that just is boring drivel with no feeling. This week’s search came up with something quite perfect. Let us introduce you to William Hayden (aka TimeSeven) and his soon to be released single “When We Were Young.”

Hailing from a small town in Covington, Indiana, the songwriter, composer, and producer shares his love for music and its therapeutic effects. William Hayden always had it in him but finally turned to writing and releasing his songs relatively late in life. This has provided a wide berth of real life experiences and feelings for him to share. These personal experiences are truly relatable to the listener and as honest as can be. 

For his upcoming single “When We Were Young” released under his TimeSeven moniker, Hayden shares his take on the true love stories he has seen. Both in his own relationship with his wife, as well as seeing his sisters’ strong long term love with their husbands. 

Opening up with a beautiful acoustic guitar melody sets a relaxing tone right off the bat. Bringing in country artist Brad Williams to provide the vocals heightens the emotion and prettiness of the song. As the drums come in the song shifts to a more pop rock ballad with real energy. This keeps the track fresh and different from many of the songs that seem to get boring after a few listens. This mesh of genres within one track sets the TimeSeven sound apart with a perfect balance. There is a real depth in the lyrics for the listener to dive into and become a part of the memories. This connection and compassion bleeds through the speakers directly into your soul. The magical power of quality songwriting.

Overall, “When We Were Young” by TimeSeven is a beautifully crafted song that is sure to resonate with all lovers of soulful music that will help us all ease into a relaxing and reflective weekend.

“When We Were Young” – Review by The Ark of Music

William Hayden’s Timeseven project – an industry-seasoned, all-star ensemble playing rootsy, country, adult contemporary, and tastefully allotted rock – returns with their latest single, “When We Were Young.” And this particular track, as emotionally resonant as one would expect from project Timeseven, expresses the beauty of witnessing – and experiencing – true love.  

Tell me more…..

Per Hayden, “I’ve been fortunate to witness several beautiful love stories throughout my life, including my own with my wife. From my front row seat, I’ve watched love blossom between my sisters and their high school sweethearts, who are now their husbands. I’ve also been inspired by the enduring love my mother shared with the love of her life. This song is a tribute to young love—love that never grows old, no matter how many years have passed.“

Ready to hear testimony to the power of closely observed and deeply experienced love? Let’s listen, and talk about it.

Wait. Who does what?

Words, Music, Arrangement, Production, Acoustic, Electric Guitars by William Hayden (Timeseven Productions)
Vocal by Brad Williams (a major label country music artist)
Keyboards by Scotty Willbanks (from Third Day)
Drums by Daniel Sadownick (Steely Dan, Taylor Swift, Norah Jones)
Bass by Alison Prestwood (Blake Shelton, Faith Hill, Brooks and Dunn)
Guitar by Noah Needleman (Brett Young, Dann Huff)

And “When We Were Young” was mixed and mastered by 10 x Grammy-winning mix engineer, Darrell Thorp (Paul McCartney, Radiohead, Beck).

Listening, and talking about it.

It begins with a lightly picked acoustic that’s almost harmonic in tone. And then, Brad Williams’ rich, gentle timbre with emotional, warbling vibrato arrives. His voice, as always, is positively stuffed with feeling, but expertly reserved in its effortless, spot-on delivery. And, for some reason, I hear a bit of Christopher Cross; perhaps it’s a particular shaping of vowels, or the way his voice emanates from the roof of his mouth, adding a bit more depth to the subtly broadening reverb. Whatever’s happening here, it adds an extra glistening to this sonically perfect vocal production.

When the chorus hits, so does the energy. Blowing electric guitar chords enter, the drums arrive, and Williams’ voice is backed by a quiet harmony.

The next verse gains incremental strength with a ringing guitar and careful, casual drums – at least for a moment, until things revert to their gentler demeanor, allowing the chorus more gravitas when making its confident, compelling return.

After this final chorus, the song reduces, hangs a bit, and Williams utters the last refrain of “When We Were Young” before the music simply drifts, briefly, and ends.

But is it good?

I listened 37 times and it moved me equally with each play. The instrumentation is solid, clean, and the perfect musical foundation for Williams’ aching, stunningly sincere vocals. And the clarity, the separation of instruments, Williams’ perfectly captured voice, and the warm, space-filling, sonic amalgamation of it all…..You can tell a master was at the console, working diligently to conjure the final, magical mix.

So… “is it good”? Oh, heck yeah. It moves; it celebrates; it captures the wonder of sacred, connective feelings between those in love, and those completely in awe of it. “When We Were Young” soundtracks the beginning of lifelong relationships – relationships maintaining a passion that never dims beyond its initial, exciting embers. If you want to reflect, if you want to embrace now, tighter than ever, “When We Were Young” is music for your first, nervous slow dance at homecoming – a dance that continues forever, with magic forever intact. HIGHLY recommended.

“When You’re Home”

Words, Music, Arrangement, Production by William Hayden

“When You’re Home” – Review by Sleeping Bag Studios (SBS), March, 2024

Jeez!  When you read the resumes of the artists that have been enlisted to play this tune, believe me, it won’t surprise you to find out it all sounds as good as it does.  Let’s see here…you’ve got drums from Daniel Sadownick, who has played for the likes of Steely Dan, Taylor Swift, and Norah Jones.  You’ve got bass from Alison Prestwood, who has played for Blake Shelton and Faith Hill.  The vocals of Brad Williams who is a major label Country artist himself…the keys/guitar of Noah Needleman who has played with Brett Young and the renowned talents of Dann Huff…the mixing and mastering of a dude that has already won TEN, count’em, TEN Grammys in his lifetime so far in Darrell Thorp (McCartney, Radiohead, Beck) – you see what I’m saying y’all?  This opening paragraph could go on and on and on if I was to sit here & list ALL of their accolades throughout the years – these are just the ones I know about!

As many incredible artists and bands will tell ya, it often takes a whole team of experts and experience to get things as right as you intended them to come out.  And as many a musician will tell ya, all the talent in the world won’t do you much good without the material to go along with it.  That’s where William Hayden comes in…the writer of the words & music you’ll hear…the arranger…the acoustic & electric guitars on “When You’re Home,” and the solid foundation that the songs of Timeseven are being built upon.  Without the inspiration he’s provided to each of these players through his sincerity and songwriting, it would all be for naught, as they say.  Not only did he write an exceptional tune with “When You’re Home” – William basically tracked down the musical equivalent of The Avengers to play it with him.  As a result, you’ll find a completely polished and professional song that hits the mark in every possible way.

Truly, this is a case of everything being in exactly the right place where it should be, musically, and also on a conceptual level too.  I love that Hayden has contrasted the traditional definition of what home is in terms of a physical location, and proven through his words that it’s about so much more than a mere roof over your head.  It’s something that you feel…it can be a person you love.  Whether your home is in perfect condition or it’s cracked and broken, if you belong there and you’re happy – that’s what home really is, ain’t it?  It’s the place where you belong, however you choose to define it, for yourself.  I’m not necessarily saying this isn’t a theme that’s been examined in a variety of ways throughout the history of music, but I am saying that you probably haven’t ever heard it executed to standards like this.  Hayden’s words on paper would already speak strongly on behalf of his sincere perspective and the emotion he’s written with – but to hear how Brad brings the truth to every syllable as he sings this song is nothing short of a genuine revelation and a testament to how finding the right voice can become the ultimate complement to a writer’s best work.  Both Hayden & Williams were clearly born communicators, and they shine as bright as bright can be in how they’ve brought the meaning of this song to the surface.

As for the rest of these studio aces…of course, they sound every bit as excellent as you’d assume that they would.  There ain’t a hair out of place on “When You’re Home” – by every conceivable definition, this is a flawless tune, full stop.  From the comforting vibe in the melody, to the vibrant imagery in the words, to the connection this song makes to the heartstrings and how it moves us, you have to admire how much of this single hits the mark bang-on.  Structurally speaking, it’s impeccable…and for a slow jam that stretches out to nearly six-minutes in length, you’ve gotta give every player involved the credit they deserve…you never feel anything less than completely captivated by how moving this moment in music truly is.  People out there are gonna get married to a song like this one day…and I can’t say I’d blame them one bit if this was the song they chose to be at the centerpiece of the soundtrack for the rest of their lives – it’s sweetly symbolic, and a stunning representation of what real love is all about.

If you’re really listening to the words closely, you’ll find that despite its gentle demeanor, a song like “When You’re Home” is actually quite the emotional rollercoaster.  It might circle back to a powerfully beautiful place, but make no mistake, it’s a journey to get to that point…but it’s in that journey that you’ll likely find the most relatable and grounded aspects of the lyricism in “When You’re Home.”  I am absolutely blown away by this song, and even with knowing everything I knew about these players going in to listening to it for the first time, everything I found in this single somehow still exceeded every hope and expectation I could have possibly had for what I’d hear.  The expression in the vocals and in the music is extraordinary…the melody and conclusion of the finale is breathtaking…the potential appeal of this song and where it could go for Timeseven is straight up staggering.  There’s a good chance you’re going to hear this single absolutely everywhere after it gets its official release this March 29th – it’s really THAT amazing, and you regular readers are well aware of the fact I’d tell ya otherwise if it wasn’t.  So mark your calendars and circle the date – one of the best songs you’ll hear this year is coming out right around the corner at the end of next month!  Timeseven has created a timeless masterpiece with “When You’re Home,” and an unforgettable moment in music that even musicians with the spectacular resumes like they have should be entirely proud of.  This is true sincerity that speaks to all of our hearts & minds, and I guarantee you’re going to feel exactly the same about this song as I do when you hear it.

“When You’re Home” – Review by The Ark Of Music, March, 2024

William Hayden and his soft, acoustic rock/pop/country-ish ensemble Timeseven presents “When You’re Home,” a paradoxically subtle, subdued, but powerful, crystal clear piece of hopeful/lamenting music. What makes “When You’re Home” another slow-building masterpiece from Hayden and his assembled industry-seasoned artists? Let’s talk about it.

Wait. Who does what?

Words and Music, Arrangement, Production, Acoustic and Electric Guitars – William Hayden (Timeseven Productions)

Lead Vocal – Brad Williams (a major label country music artist)

Drums – Daniel Sadownick (Steely Dan, Taylor Swift, Norah Jones)

Bass – Alison Prestwood (Blake Shelton, Faith Hill, Brooks and Dunn)

Keyboards and Guitar – Noah Needleman (Brett Young, Dann Huff)

Mixing and Mastering – 10 x Grammy-winning mix engineer, Darrell Thorp (Paul McCartney, Radiohead, Beck)

And what’s it about?
According to Hayden, “Sometimes home isn’t a place, it’s a person. With that person, you can be your authentic self and be completely loved and accepted for who you are. Sometimes, when you’re far from home, you lose yourself. This song is about home, love, loss, rediscovery, and reconciliation.”

Talking about it…

It starts with quiet acoustic guitar, and Brad Williams’ gorgeous, emotively quivering voice; it’s a mixture of resignation, defeat, and a longing for what was (which could be sadly irrecoverable), but with an undercurrent of tenacity. Of spiritual resolve.

Strings enter, an unobtrusive drum beat begins, and Williams’ voice gains power. A clean electric guitar adds its bending, sparking accents, and the drums evolve to a more grounding, forward-pushing force.

And after a brief respite, at about 4:15, the song’s final lament – its final decree – begins: a refrain of “I’ll be here…waiting.” And this final, evidently assertive section achieves a controlled liftoff through more desperately strummed electric guitar and a slightly busier, more pronounced beat. It’s a section that gets to the heart of things, literally – it acknowledges the obstacles and prolonged struggle, but ultimately decides – through pain, uncertainty, and the unknown time one may have to endure both – to hang the heck in there. Because it’s worth it. Or, because it could be again.

But…. is it good? 

Well, I’m wiping the tears off my keyboard, so I would DEFINITELY consider this good. I would also add the words “moving” and “stirs up the places where old feelings hibernate.” Yeah, it’s a little heartrending, but an absolutely beautiful way to come back to everything you were before – which is the template for what you’re really supposed to be. Recommended.

“When You’re Home” – Review by Indie Band GURU, March, 2024

Music will always have amazing powers. Whether just listening to get away from the realities of your life or creating music to share your own stories and struggles, music can be exactly what you need it to be. That power is undeniable. Our recent discovery William Hayden and his TimeSeven Productions are a great example of what music can do even if one takes the long road to get there.

Much like most of us starting to play music in our teenage years, William Hayden assumed it would be a great life to just make music for a living. And like most of us, reality set in and a “real” job and career path become the road we all traveled. This is NOT a bad thing though because it gives all of us the chance to build up life experience and stories that we can later infuse into our music. 

Now in his “later” years William Hayden finds it therapeutic to write songs from the past he has experienced with his TimeSeven project. Memories of joy, heartache, failures and triumphs have started to flow into his songwriting. Bringing in some collaborators has really fleshed out hsi sound in a complete way.

March 29th will see the release of the newest single by TimeSeven “When You’re Home.” Opening with an elegant guitar melody sets the stage for a relaxing and emotional ride. The vocals of country artist Brad Williams are delivered with heartfelt emotion drawing us all into the song. Layers of smooth guitars are added filling the full sonic space without anything overpowering the vibe. This is helped by the mix and master of 10x Grammy-Winning engineer Darrell Thorp. William says “This song is about home, love, loss, rediscovery, and reconciliation.” We can feel it all as we let it wash over us. A perfect song to just chill out and absorb.

“Stay” Words, Music, Arrangement, Production by William Hayden

“Stay” - Review by Music Reviewer Noah James Hittner, June, 2023

Timeseven – the group project led by guitarist, songwriter, and producer William Hayden – returns with “Stay”; a soft, acoustic lullaby performed by a who’s who of talented performers (from the stage, and one in particular behind the mixing board). Is this slice of acoustic, contemporary adult pop a capable expression of the aforementioned talent? Let’s break it down:

The quality of sound here is pristine; you can tell it was mixed and mastered by Darrell Thorp, a 10 x Grammy-winning mixing engineer who worked with Paul McCartney, Radiohead, and Beck (ya’ heard of ‘em?). So, he has a SERIOUS pedigree, and the final product features warmth, breadth, and a masterful balance of separation and cohesion.

Melodically, the song is built with acoustic guitars, drums, bass, and banjo (heck, yeah!). And the players? Top-notch (as previously mentioned). William Hayden is joined by Daniel Sadownick on drums (who played with Steely Dan, Taylor Swift, and Norah Jones); Alison Prestwood on bass (who played with Blake Shelton, Faith Hill, and Brooks & Dunn); Noah Needleman on banjo and additional guitar (who played with Brett Young and Dann Huff); and lead vocals by Brad Williams (a country artist with major label support). So, impressive? Oh, yes.

Brad Williams’ voice is perfect here – it’s restrained, vulnerable, rich, and accented with subtle quivering and a breathy rasp. Over the quiet but expansive acoustic orchestra – accompanied by real or very organic-sounding synth strings – his voice is a natural fit, and the final, irreplaceable instrument directly expressing the song’s quietly desperate entreaty.

“Stay” is a softly powerful ask – it’s a realization of forthcoming loss, and the trepidatious attempt to undo it, or at the very least, postpone it.

It’s right where you are now, or perhaps where you’ve been.

Warm, earnest, and sounding so ridiculously natural your heart might melt into it, “Stay” is a beautiful song that sticks around as soundtrack to lingering memories of lost (but perhaps still appreciated) loves.

This is a truly moving melody. Highly recommended.

“This Road” - Album Review by Music Reviewer Annie Reuter, Jan 5th 2011

William Hayden’s passion for music dates back to the 60’s. As a child, he dreamed of being a performer on “American Bandstand,” and from the first time he held a guitar in his hands, he was hooked. Many years and life lessons later, Hayden is back with his new group, Timeseven. Hayden wrote and composed each song on the 10-track release, This Road. Complete with tales of love, loss and life’s ups and downs, Hayden’s songs are emotional and realistic. Anyone who has witnessed love or heartache will find something to grasp onto. While the start of the LP provides much optimism during the early stages of a relationship, by the end of This Road, the honeymoon period is long over. Throughout the 10 tracks, the listener witnesses the first blossom of love to the mournful death and heartache of love lost, which is a true testament to Hayden’s ability and intricacies as a songwriter.

“Just Like You” introduces Timeseven with soft vocals, smooth guitar and percussion accompaniment. Williams refreshing singing style combined with delicate electric guitar interludes impresses and quickly draws the listener in. “I’ve been waiting a long time to tell someone I love you/Now I’m thinking that someone is you/ I’ve been looking a long time for somebody just like you/I’ve been waiting a long time for you/I’ve traveled all around the world/Just to find your shining smile and face/And your hand holding mine,” William sings. With a soaring guitar interlude mid-song and solid percussion throughout, the album opener aptly entices listeners to delve into the remaining nine tracks. The next song, “Free” quickens the pace. Hayden’s introspective and uplifting lyrics mesh well with his singing style making a mark on the listener.

Hayden mentions in his biography the therapeutic process songwriting has on him. “Tapping into my own personal experiences and being as honest as I can, I hope my songs will touch a chord and resonate with the listener on a deep level. Thoughts and memories, whether of joy or heartbreak replaying over and again in my head, are now woven into my songs. Songwriting has helped me to heal from the inevitable wounds of life and to celebrate its victories,” he writes. Every track on the LP showcases this honesty. A heartbreaking tale of loneliness, “Just the Thought of You” demonstrates Williams deeper vocals with light guitar strumming. “I’ve traveled all around the world just to find myself alone/I’ve spent my nights alone/Just talking to myself/Holding onto a dream in my mind/With my heart up on the shelf,” he sings. With a soft almost whisper-like singing style, “Just the Thought of You” and next track, “Invisible Man” bring to mind singer-songwriter Joshua Radin.

While “Just the Thought of You” is a somewhat uplifting tale, “Invisible Man” follows suit with introspection and continuous questioning. A slower ballad that embodies the hope to find content in life, Hayden shows his ability to understand the human psyche and have listeners relate. “I’m the invisible man/See me while you can/I’m here today but tomorrow I’ll be gone” he sings with desperation in his voice and slow paced musical accompaniment.

The light-hearted “Your Love” switches gears and recalls Jack Johnson with intricate guitar finger picking and soft vocals. With delicate percussion, the feel good song further demonstrates Timeseven’s prowess as musicians. Additionally, the stand-out “Ordinary Man” brings to mind John Mayer with bluesy guitar interludes while “I Still Think of You” tells the dark tale of unfulfilled dreams. “Movin’ On” follows suit and slows down the pace until album closer and title track “This Road.”

No doubt an impressive debut release, it is the slower ballads that drag the album to a close instead of ending strongly. This Road would have made more of an impact if the fast paced tracks and ballads were dispersed evenly throughout the album, and as a result would greatly help the flow.

~ Annie Reuter - Music Reviewer featured on MTV.com and RollingStone.com
 

William Hayden Artist Interview by Music Reviewer Noah James Hittner, Aug 2017

Q:  Your dad was a military man which caused you to travel a lot as kid. What branch was he in? What parts of the world did you see during this period of time?
A:  My father was in the Navy so we moved around a lot when I was growing up. We lived in Monterey, Alameda, and Fort Ord, California, Maryland, Virginia and New Jersey by the time I was 13 years old. It was hard to leave my friends and make new ones, but I think it taught me how to adapt to new places and situations.

Q:  Eventually your family settled-down in Covington, IN. Tell us how Covington has inspired your craft. In particular, tell us about your high school band, “Horizon”:  What kind of music was it? What was your role?

A:  When I was 13, my parents divorced and I lived with my mother, brother and sister in southern Maryland for a couple of years. When my father retired, my brother and I moved with him to Covington, Indiana where both of my parents are from. I have a lot of fond memories of that time in my life, playing in the garage band we called “Horizon”. (see photo at left) We were all good friends and had a great time rehearsing and playing together. Back then in the 70’s, we were influenced by the current top 40 music. We also played original songs written by our lead singer and keyboardist Phil, who is a talented singer/songwriter and the first person I knew who wrote his own music. He studied at Butler and Berklee College of Music and toured for many years after graduating college. Alan was our drummer and sound person. He now owns a successful recording studio and sound production company in Covington. Margo and Elise were the female singers who added a lot to the band with their beautiful vocals. I was the lead and rhythm guitar player and provided occasional comic relief.

Q:  Can you tell us about the first moment you picked up a guitar?
A:  I’ve been infatuated with the guitar as long as I can remember. I had uncles on both sides of the family who played guitar when the family got together. I was only six years old at the time, but one night my Uncle Beryl let me hold his guitar. It was an old Gibson archtop acoustic and it felt big in my small hands. When I was old enough he taught me some chords and my first songs on the guitar. My other uncle John played a Stratocaster electric guitar through a Fender Deluxe Reverb and I loved the sound. He taught me several old classic country songs that I still play today. I was fortunate to have those very diverse musical influences at such an early age, and I owe a lot to my uncles for taking an interest in teaching me.

Q:  What was your first guitar? Do you still have/play it?
A:  My first guitar was a sunburst Harmony Stella acoustic guitar that my mother bought for me for Christmas when I was 9 years old. She put a big red bow on top and hid it under my bed. I’ll never forget how I felt when I first saw it. I wanted a guitar for a long time, so I was thrilled! That was the guitar I learned my first songs on. I have it hanging on my studio wall to remind me of how my Mother loved and invested in me. My first really nice guitar was a Gretsch Chet Atkins Country Gentleman that my brother-in-law Dwight owned. I used to pick it up and play it whenever I visited his house. It was the same model that George Harrison played with the Beatles. I guess he could see how much I loved the guitar because one day he handed it to me and said I could take it home. That was the guitar I played in several bands, and I’ll always be grateful to him for showing me what generosity looks like.

Q:  You’re a solo musician. Was that a conscious choice to no longer be in a band, or was it simply a matter of circumstance?
A:  Although I’ve played in a few bands over the years, I consider myself more of a songwriter and producer than a performer. Songwriting and producing music is very different than performing. Writing requires a lot of time to myself as I reflect and focus on the writing process. I loved playing in a band and hopefully I’ll get a chance to do that again some day.

Q:  You latest work, the album, Coming Home, is a follow-up to the previous projects which include 2010’s, This Road (album), and 2014’s, This Is Our Life (single). Tell us how each of these are connected—and how they differ.
A:  My first album, This Road, was an autobiographical album about my life’s journey and search for meaning and purpose in life. The road I’ve been on has had its share of twists and turns and I’ve seen some beautiful things along the way, as well as some ugly storms. My latest album, Coming Home is about coming full circle in the journey while rediscovering the way back home. As the German theologian and philosopher, Meister Eckhart said, “God is at home, it’s we who have gone out for a walk.”

The single, This is Our Life, is a departure from my previous albums. It was inspired by a poem my son Hunter wrote and we worked together to turn it into a song. I was thrilled to have Dove Award winner Christa Wells perform the vocals and keyboard for the song. Lead guitarist, cellist and songwriter Matt Slocum of the band Sixpence None the Richer played a beautiful cello part for the song. Russ Long, a well known Nashville producer and studio engineer performed the final mixes. Nashville legend and Grammy-winning engineer Hank Williams, from Mastermix Studios, completed the final mastering. I was thrilled to have the opportunity to work with world class musicians, producers and engineers on this project, but most of all, it was an honor to write the song with my son.

Q:  How long did “Coming Home” take to record?
A:  After releasing my first album in 2010, I felt I still had some things to say. Many of the songs on the Coming Home album just poured out of me. I wrote some songs in a few minutes while others took over a year to finish. Although most of the guitar tracks were recorded in my studio in Raleigh, NC, many studios all over the country were used to record the album. The entire album took four years complete, but over 50 years of life experiences and influences were invested in the project.

Q:  Perhaps in some unspecified amount of time, your musical career explodes in the best of ways…what does that look like for you?
A:  When it comes to creativity, success is a difficult thing to measure or quantify. Although I’ve been fortunate to have my songs played on radio stations all over the world, my goal is not to become famous or wealthy through my music. My hope is that my songs will touch people and speak to them in a very personal way. There is comfort in knowing that others have experienced the same feelings of loss, heartache, joy, doubt and have survived to tell about it. After I released my first album, This Road, a woman I had never met contacted me to say she had just lost her husband and many of my songs really spoke to her. Another woman told me that her sister had lost her son in a car accident and that one of my songs helped her to grieve. If my songs can speak to people in a small way, point them to our creator, and remind them that we are not alone traveling on this road, then my music will have accomplished its purpose.

Q:  You get to collaborate with anyone of your choosing. Who is it?
A:  So many artists come to mind, but I’d probably have to say Jackson Browne. I’ve always loved his musical style. His lyrics are meaningful and tell stories that I’ve always been able to relate to.

Q:  Your favorite album of all time?
A:  Eagles Greatest Hits 1971-1975

Q:  Your favorite song of all time?
A:  Wow! That’s a tough one. There are so many great songs! I guess if I can only pick one it would be James Taylor’s Fire and Rain because I’ve been able to relate to that song over the years.

Q:  What artist is your biggest musical influence? Why?
A:  Jim Croce was an early influence and I still listen to his music. His guitar arrangements were inspired and his lyrics tell stories that most everyone can relate to. Back in the 70’s I listened to his music constantly on my 8-track tape player in my car, then later a cassette tape, and then CD. Now I listen to the same album through an MP3 hookup in my car. I’ve gone through many cars and technologies over the years but his music has outlasted all of them.

Q:  What would you like fans to know about you that they’re most likely unaware of?
A:  Fans?! What fans? I have a very dry humor that many people don’t get and sometimes that includes my wife.

Q:  Any shout-outs you wanna make?
A:  Just a shout-out to my wife, Christa and my kids, Helen and Hunter. Thanks for all of your support and love!

Q:  Anything else you’d like to add?
A:  Thank you for letting me tell a small part of my story. You can read more about me and my music at my website: http://www.timesevenproductions.com/

”Coming Home” - Album Review by Music Reviewer, Noah James Hittner, The Ark of Music, Aug 2017

With his father in the military, as a young boy, William Haydenand family moved about considerably until his high school days, when they finally settled in Covington, Indiana. There, the music began in the form of his first group, the garage band, Horizon.

Fast-forward several years to 1983, which saw young William pack everything he owned into an old Chevy with $300 in hand—and no job—and move to Florida. Over the next many years, through divorce, death, and tumultuous times, music served as his outlet and his mechanism for healing.

Now, joined by a talented group of artists which includes:  Dustin Robinson(vocals), Shelby Allison Lindley, Kelsey Formost and Racquel Roberts (backing vocals), Dale Baker (drums & percussion), and Jeff Crawford (bass), the group works under the moniker, Timeseven (a biblical reference from the book of Matthew).

Efforts thus far include 2010’s This Road (full album), as well as 2014’s This Is Our Life (single). Their latest project, the faith-inspired, full-length album, Coming Home saw Hayden writing, composing and performing on every track.

Here’s what we dug most…

A lovely piece dedicated to finding home within the experience of real love, In Your Eyes, could also find a home on 1997’s Surfacing by Sarah McLachlan. 

In Dream Of You Hayden bravely opens up about the loss of a loved one. The keys, the vocals, and the ambient electric notes off in the distance are gentle and surreal. It’s a wonderfully sad number, which, if you allow it, will get you…

“I had another dream last night that you were home with me
We laughed and played and talked all night, just like the way it used to be
I knew you really couldn’t stay, you had to go start something new
But if you don’t mind anyway, I’ll stay right here and dream of you…”

Our Favorite Track:
With just the right touch of background vocals and well-placed, subtle, electric licks, the ultra smooth, pop-jazzy, Rainbows is immediately reminiscent of of 90’s era Nora Jones. (Honestly, it should probably make your weekend wind-down playlist.)

With acoustic guitar, keys, and touch of strings, the tragically self-honest, Out Of My Mind, hands the vocal responsibility to Dustin Robinson who sounds like a subtle version of Gavin DeGraw.

The vagabond’s anthem, Free, has a 90s college-rock feel. Like all of its predecessors, the track is produced with exquisite touch…

“Sometimes my dreams come back to me
From the depths of my memory
There was a time when I was really free
A place where I could really be loved
I was loved, I was loved…”

In classy fashion, an alt-synth-pop inspired intro sets off the album’s final track, Again, a ballad of redemption which sees Hayden and company sending listeners off with hope.

“Do no harm.” This is the unspoken motto of Timeseven’s sophomore effort, Coming Home; which is ultimately a gentle, well-intentioned collection of contemporary pop songs which calm, and sooth the heart and mind. As its core member and creator, William Hayden has not only done a fine job writing and composing, but perhaps more impressively, he’s found the right collaborators to bring the pieces to life—players AND production. If you love discovering smooth, throwback-style pop artists, give this album a shot.

Whose lovechild…?
Richard Marx meets Don Henley with a dash of Sarah McLachlan…

BELOW, you can listen to Timeseven’s album, Coming Home, check out our interview with William Hayden, and connect with their website and social media platforms. Please support William Hayden & Timeseven by visiting them online, and playing, downloading, and/or purchasing their music. And, as always, thank you for supporting real music!

“This Road” - Album Review by Music Reviewer, Alex Henderson, March 9th 2011

Timeseven’s publicity for their debut album, This Road, opens with a famous quote from the late bebop alto saxophone legend Charlie “Bird” Parker. “Music is your own experience, your thoughts, your wisdom.  If you don't live it, it won't come out of your horn.” William Hayden of Timeseven didn’t use that quote to imply that he is a jazz saxophonist. Rather, Hayden’s point was that everything he wrote and produced for this album is personal to him and that his own experiences are a valuable part of the songwriting process for him. Timeseven has made a strong statement with their debut record.

Hayden was a late bloomer when it came to pursuing a recording career. He graduated from college back in 1983, and This Road didn’t come out until December 2010. He has been earning a living in the software/technology field, recently writing songs on the side. This Road points to the fact that he has had plenty of ups and downs in life.

The gentle, folk-rock meets adult alternative pop-rock approach and the softness and subtlety of Williams vocals are a perfect fit for his introspective songs. This Road isn’t an album that goes out of its way to push the smile button but has more than its share of melancholy moments, and Hayden doesn’t hesitate to write about loneliness, heartbreak, despair, and romantic disillusionment. Melancholy is definitely on the nose when describing “I Still Think of You,” “Ordinary Man,” “Since You’ve Been Gone,” “Invisible Man,” and “Movin’ On.” But This Road has its optimistic songs as well, including “Just Like You,” “Your Love” and the title track. It would be inaccurate to label wholesale it as a dark, brooding album, but it certainly has its dark, brooding moments.

“Just Like You” is a tuneful offering that would be perfect for AAA (adult album alternative) radio formats. The song illustrates Hayden’s strong sense of pop-rock craftsmanship, as does the equally infectious “Invisible Man,” which boasts a hook that pulls the listener in right away. Timeseven couldn’t go wrong releasing “Invisible Man” as a single. It has a timeless quality, and isn’t hard to imagine the song being played on both the soft rock radio stations of all eras. The same goes for the easy-going, laid-back “Since You’ve Been Gone,” another hooky track that has plenty of AAA appeal but could also win over admirers of classic soft rock. This album could easily appeal to fans of the Goo Goo Dolls and the Gin Blossoms, but there is no reason why someone who appreciates Seals & Crofts shouldn’t be able to get into “Since You’ve Been Gone,” “Ordinary Man” or “Invisible Man.”

On This Road, emotional depth never comes at the expense of melodic accessibility, of which “I Still Think of You” is a prime example. Hayden puts a lot of thought and feeling into the writing on “Movin’ On,” and once again, Timeseven demonstrates that emotional depth and musical immediacy are by no means incompatible.

This Road is clearly an autobiographical album. William never sounds like he is merely going through the motions, but always sounds emotionally invested in the songs. Of course, the fact that a song is deeply personal to a songwriter doesn’t mean that other people will be unable to relate to it; countless jazz musicians still relate to “Parker’s Mood” even though many of them weren’t even born when Bird first recorded it back in 1948.

This Road is an album that fans of introspective folk-rock and adult alternative should have no problem getting into.

~ Alex Henderson - Veteran Music Reviewer and Critic whose work has appeared in Billboard, Spin, The L.A. Weekly, JazzTimes, Creem, HITS, Skin Two, CD Review, Players, Pulse!, Music Connection, All About Jazz, Cash Box and a long list of other well known publications.
 

“Coming Home” - Album Review by Music Reviewer Heath Andrews

William Hayden describes his songwriting as a therapeutic process. All the love, joy, pain, and heartache that he’s met is poured out onto the page when he writes and composes his music. Under the name Timeseven, he’s recorded two albums, the second of which is 2014’s Coming Home. This seems to be a natural sense of progression considering his album prior was entitled This Road and dealt with a sense of longing and wanderlust. Coming Home meanwhile captures that feeling of acceptance in life and the world at large.

First and foremost it’s important to note that this is largely not an upbeat album. Much of Timeseven’s work is subdued and reflective. Most of the instrumentation consists of soft acoustic guitars, warm keyboards, and soothing vocals. Lyrically the album is deeply full of sentiment and emotion, sometimes overwhelmingly so. One of the interesting parts about the lyricism is that Hayden openly expresses his Christian faith, and though it’s hinted at in the songwriting, it never becomes explicitly Christian or spiritual.

As an example of this, take the song, “Because of You.” Hayden writes of a love that saved him, gave him everything, carried him, and shows him the way. This could easily be a testimonial to God, or even to his wife or parents. Given the backing vocals providing a gospel feel to the song, it does give off a more spiritual vibration, but the fact that it could be either or is a testament to the strong songwriting.

One of the lighter songs that takes advantage of the strong backing vocalists is “Just Like You.” The chiming guitars and jaunty rhythm are accentuated by the low-key vocals and the fantastic harmonies from Shelby Allison Lindley. The keyboards provide a beautiful, serene atmosphere for the guitars to play upon, and the restrained guitar solo from Hayden is strong enough to be noteworthy without breaking the song’s tone. Credit too is due to drummer Dale Baker for a performance that manages to incorporate some brisk fills but not at the expense of the calm nature of the music. His hushed vocals are a trademark of the album.

“Free” is an interesting follow-up, starting off with a bass hook and leading into a more guitar-driven song than anything else on the record. Hayden gives the song a strong lyrical hook during the chorus but the lead guitar riff is equally infectious and Baker’s percussion work gives the piece some extra oomph. The closing track, “Again” has some similar gusto in points, Lindley’s backing vocals are exquisite, and Hayden throws in some mandolin to give the piece some extra texture. It’s not as driving as “Free” but it’s a suitably mid-tempo number to end on. Most of the remainder of the album consists of slower ballads that while well written and well performed, don’t feel as distinct as the songs around them. The only other song with a different kind of feel is the opener, “Did You Know” which is not quite as peppy as “Just Like You” but still has a degree of bounce to it in addition to some inspired keyboards.

Timeseven has put together a strong emotionally gripping album with Coming Home. William Hayden is a wonderfully talented songwriter and musician with a particular knack for constructing songs that feel emotionally lived in. It’s not a particularly peppy listen, but if you’re in the mood for an emotional journey, or some strong adult contemporary fare, Coming Home is a wonderful place to go to. The performances are consistently inspired, the music and lyrics are evocative of the human experience, and the atmosphere it all conjures is great for easy listening.

”Coming Home” - Album Review by Music Reviewer Alec Cunningham

Timeseven is the pseudonym of musician William Hayden, a man who carries a number of titles under his belt including producer, composer, and songwriter. Coming Home, which contains numerous heartfelt tracks of sincerity, happens to be the second release of his career. This set of 12 songs comes after his debut release in 2010 titled This Road. You can tell by the album titles alone that Hayden is focused on the idea of travel and the destinations that initiate and conclude these excursions. The whole idea of taking a journey in order to better understand yourself – whether it be a physical or mental form of trip – sits at the crux of his work. The title track is perhaps the most obvious of these, and it deals with coming home to a place and people of familiarity.

His songs are subtle, and their delivery is soft. He tells a story and then provides you every so often with a line of thoughtfully written lyrics that show you just how talented and insightful his writing can be. “Dream of You” is one of the tracks where he does this, writing, “The only thing that never changes is that everything always changes.”

His work has a light, airy sound to it that makes you wonder whether he doesn’t mix some contemporary Christian into some of his songs as well. This question especially comes to mind on songs such as “Did You Know,” where his lyrics can be taken more than one way. He opens the song with, “Did you know that before you even knew me, when you seemed to see right through me, that I loved you so?” The song is written from a perspective that could be taken either as having religious connotations or as being a father talking sincerely to his children.

Whatever his true subject matter may be, however, Coming Home is undeniably an album of love. He writes of how incredibly amazing and uplifting relationships can be. This happens in “Rainbows,” “Just Like You,” and “Did You Know,” just to name a few. Although he may write of the same subject, not all of these songs are intrinsically the same, however. In “Just Like You” he tells of how he has searched low and high around the world to find the perfect person when she was standing right beside him the entire time, whereas in “Rainbows” he looks back on the good time of a relationship, explaining that even when you give your all to someone the relationship can still sometimes end.

Hayden’s words are honest in this track as well as in the rest, and you can tell he has taken his life experiences to heart and has used them as a source of inspiration in his writing. This album is about a man trying to find his way, and it’s about the love and pain he experiences during that journey. We can all relate to that rollercoaster of insecurities and pleasures life throws our way, and because of that there is an added pleasure we can reap from these tracks.

This is a leisurely album formed around easy-going acoustic guitar melodies and relaxed electric guitar picking. Piano also provides a backdrop for these sounds, making for an entirely soothing, gentle release. Hayden has put his heart on display with Coming Home, and we are rewarded as listeners by the thought and sentiment he has chosen to reveal.